Top 10 CMA Highlights: Kacey Musgraves Gets Censored, King George Reclaims His Throne, and Princess Taylor Stays Sweet

Blake Shelton, Taylor Swift, Luke Bryan, and Jason Aldean were showing up for a coronation, and they just didn't know it. King George — as in Strait — was reinstalled on the throne as the CMA Awards’ Entertainer of the Year Wednesday night, and his subjects had to divide the spoils.

But spoils there were, in one of the better paced and least painful music awards shows in recent memory. Here were the night’s 10 most memorable moments:

Kacey Musgraves gets progressive ... and censored! The wider world still doesn't know what the Best New Artist winner was suggesting that people do — "or don't" do— since ABC cut her mic each time the chorus of "Follow Your Arrow" came around to the line "roll up a joint." When asked by Billboard after the show about the network's decision, Musgraves expressed she thought it was a bit ironic. "I guess for some reason people feel the need to censor that word, but they leave 'crack' in," she said.

So, in other words, ABC was cool with her singing, "But if you lose too much [weight], then you're on crack," but wasn't cool with the line, "Roll up a joint, or don't" … from the same song?

But the fact that an uplifting, life-affirming song with a blatantly pro-gay angle made it onto the CMAs marks some sort of milestone in a show that usually doesn’t go out of its way to poke at the conservative constituencies within country. When Musgraves later beat Florida Georgia Line for the newcomer honor, it was the evening's biggest upset, and a victory for both singer-songwriters and women in country, even if you'd think those battles were lost if you turn on the radio.

Brad and Carrie: When you’re looking at them, you’re looking at … comedy gold. Paisley is a natural deadpan, and Underwood has turned into a surprisingly good comedienne over the six years they've co-hosted. Thanks to some deft writing that played to their strengths, they turned in an opening monologue, or duo-logue, we actually didn't want to end. Later, they performed a duet mocking Obamacare and singing, "Why's this taking so long? ... If I sit here too long, we'll have cataracts and dementia. Oh, this is getting on my last nerve ... Obamacare by morning. Over six people served."

 In a bit about county feuds real and imagined, they got actual feuders Zac Brown and Luke Bryan to hug, then concocted fantasy feuds that included Darius Rucker and black-faced trick-or-tweeter Julianne Hough. We were dreading the inevitable twerking joke, but the punchlines — "Well, have you ever been to a Luke Bryan concert?" "I thought those were mini-seizures" — landed a hilarious punch. It’s high time for a Paisley/Underwood co-headlining tour…no music, just standup.

Eric Church: When you’re looking at him, you’re looking at … prog-metal? Church’s brand new single, "The Outsiders," is a love-it-or-hate-it prospect that has country fans about equally split. We were just hoping Church's combination of metal riffage and Primus-like bass solos wouldn’t kill George Strait before he got to finish his farewell tour. Whatever you thought of it…bonus points for finally losing the ballcap.

Taylor Swift: When you’re looking at her, you're looking at … country! Just when traditional country fans want to claim that Swift has gone over completely to the dark (pop) side, she surprises everyone. A few years ago it was with “Mean,” the country-est song to hit the chart in about forever. This year, it was with a delectable CMAs performance of "Red" that transformed the heavily rocking recorded arrangement into a real ballad of deep country longing, with an all-star, all-acoustic combo made up of Vince Gill, Alison Krauss, Sam Bush, Edgar Meyer, and Eric Darken. The middle verse became a call-and-response between Taylor, Vince, and Allison. Her next touring band? Well, we can dream.